Dave Monaco

Tenor

About Dave Monaco

Dave Monaco, just thirty, has already been hailed as a “tenor with exquisite natural vocality but impetuous elegance” and is regarded as one of the most talented singers of the Belcanto repertoire, particularly valued for his interpretations of Rossini’s work.

His 2026 season opens once again with Count Almaviva in Il barbiere di Siviglia, a role for which he is already widely regarded as a leading interpreter and with which he makes his debut at the Canadian Opera Company in Toronto. The season continues with another important debut at the New National Theatre Tokyo as Don Ottavio in Don Giovanni, followed by performances of the Mozart Requiem with the Berner Symphonieorchester at Bühnen Bern and at the Théâtre des Champs-Élysées in Paris; Rossini’s Petite Messe Solennelle at the Teatro Filarmonico di Verona and Enrico di Borgogna at the Teatro Malibran in Venice. At the Rossini Opera Festival, he will be among the protagonists of a new production of the “burletta per musica” L’Occasione fa il ladro and will also appear in one of the Belcanto Concerts.

The previous season saw him triumph in numerous Rossini roles:  Don Ramiro in La Cenerentola at the Gran Théâtre de la Ville de Luxembourg, the Opéra de Reims and the Opéra de Caen in a new production launched in 2024 by the Opéra National de Lorraine; Count Almaviva in Il Barbiere di Siviglia at Teatro La Fenice, Opéra Nice Côte d'Azur and the Teatro Comunale, Bologna; Lindoro in L’italiana in Algeri at the Teatro dell’Opera di Roma (role and theatre debut); Argirio in Tancredi which will inaugurate the Festival della Valle d’Itria (role and theatre debut); Don Narciso in Il turco in Italia at the Teatro Filarmonico, Verona (theatre debut). A highlight was his appearance at the Rossini Opera Festival where he sang in two Cantatas for solo voice, chorus and orchestra, presented for the first time in a new critical edition. He performed in a highly acclaimed production of the opera Il trionfo dell’onore, staged by La Fenice at the Teatro Malibran, Venice, for the three-hundredth anniversary of the death of Alessandro Scarlatti (released on Dvd by Dynamic). He then sang in the Mozart Requiem at the Basilica di Santa Croce, Florence, marking the 45th anniversary of the Orchestra della Toscana and made his debut at the Teatro Regio, Parma, as Fenton in Falstaff at the Festival Verdi.

In earlier seasons, he distinguished himself through collaborations with La Toscanini, Parma, under the baton of Enrico Onofri; his debut in Così fan tutte at the Opéra de Toulon; L’amico Fritz and Il turco in Italia at the Opera Carlo Felice; his debut in La Cenerentola, also in Genoa, and again Don Ramiro in La Cenerentola at the Teatro Lirico, Cagliari, and the Teatro Verdi, Trieste. He performed in the world premiere of the “fantaopera” Raffa in the sky with music composed by Lamberto Curtoni, staged at the Teatro Donizetti, Bergamo, in autumn 2023 and broadcast live by Rai 5. In 2024 he made several other role and theatre debuts in dramatic operas by Rossini: Ruodi in Guillaume Tell at Teatro alla Scala and Osiride in Mosé in Egitto in Modena, Piacenza and Reggio Emilia.

He has worked with conductors including Michele Mariotti, Riccardo Frizza, Enrico Onofri, Riccardo Minasi, Sesto Quatrini, Carlo Boccadoro, Diego Ceretta, Giuliano Carella, Riccardo Bisatti, Michele Spotti and Renato Palumbo, and with stage directors such as Paolo Gavazzeni and Piero Maranghi, Jacopo Spirei, Stefano Vizioli, Chiara Muti, Ricci/Forte, Grischa Asagaroff, Denis Krief, Leo Muscato, Francesco Micheli, Andrea Bernard, Christophe Gayral and Rosetta Cucchi.

Dave Monaco initially studied singing with Giovanna Collica and Fulvio Massa, and continued his training with Leone Magiera and Salvatore Fisichella. At the age of just twenty-two, he won the Ettore Campogalliani International Competition and the Mietta Sighele Prize at the XXV Edition of the Riccardo Zandonai International Competition in Riva del Garda. At the 2021 edition of the Portofino International Opera Singing Competition, he won three prizes: second prize, the audience award and the best Italian singer award.  In 2025, he achieved significant success at Operalia, founded by Plácido Domingo and supported by Rolex, winning third prize and the Special Prize of the Bulgarian Ministry of Culture.

He attended the Accademia Rossiniana directed by Ernesto Palacio focusing on the interpretation of Rossini's works and graduated from the Young Artists Program at the Accademia del Maggio Musicale Fiorentino under the direction of Gianni Tangucci. Here he made his debut in roles such as Osburgo in La Straniera by Bellini, Basilio in Le Nozze di Figaro, Nemorino in L’elisir d’amore, Rinuccio in Gianni Schicchi and the Song Vendor in Il Tabarro. He was also selected to represent the Accademia in St. Petersburg and at the Sale Apollinee at La Fenice. Following his graduation, he has continued to work in partnership with the Florence theatre, performing on several occasions in leading opera roles and as a soloist in chamber and symphonic concerts.

 

Upcoming Performances

Mozart Requiem

Bühnen Bern

26, 27  March
2026

Mozart Requiem

Théâtre des Champs-Elysées, Paris

30  March
2026

Petite Messe Solennelle

Teatro Filarmonico, Verona

3, 4 April
2026

Enrico di Borgogna

Teatro Malibran, Venice

12, 14, 16, 18, 20 June  
2026

L'occasione fa il ladro

Teatro Rossini, Pesaro

12, 15, 18, 20 August
2026

Stabat Mater

BBC Proms, Royal Albert Hall 

7 August
2026

Belcanto Concert

Teatro Rossini, Pesaro

17 August
2026

Alahor in Granata

Donizetti Opera, Bergamo

14, 22, 27 November
2026

Christmas Oratorio

Accademia Nazionale di Santa Cecilia, Rome

10, 11, 12 December
2026

L'Italiana in Algeri

Opéra de Monte-Carlo

24, 26, 28, 30 January  
2027

Il Barbiere di Siviglia

Opéra national du Capitole, Toulouse

28 February - 11 March
2027

Don Pasquale

Opernhaus, Zurich

23 May – 11 June
2027

La Cenerentola

Bayerische Staatsoper, Munich

13, 18, 20 June
2027

Il Barbiere di Siviglia

Teatro Real, Madrid

14, 20 July
2027

Awards & Recognition

Second Prize at the 2018 International Competition for Young Opera Talents

Mietta Sighele Award 2018

Second Place and Audience Award at the 2021 Portofino International Opera Competition

Third Prize and Special Prize of the Bulgarian Ministry of Culture at Operalia, The World Opera Competition 2025

Featured Performance

Reviews

"Italian tenor Dave Monaco, a bel canto specialist, was an impressive Osiride. Not only is he endowed with a beautiful malleable voice that is at ease in the upper register, he is also an expressive actor. He was passionately convincing in his Act I duet with Elcia, «Ah! Se puoi così lasciarmi». This young singer is set to be a Rossini star tenor."

Ossama el Naggar, ConcertoNet

“Pur avendolo apprezzato recentemente in Scala nel difficilissimo, seppure episodico, ruolo del Pescatore, si è rivelato in tutta la sua potenziale bravura il tenore Dave Monaco, un Principe Ramiro coi fiocchi. La tremenda tessitura del ruolo per lui non è un ostacolo; acuti e sovracuti sono lanciati con baldanza, sicurezza e precisione, ma ha convinto per l’eleganza nel porgere i suoni, la dolcezza del canto nel duetto con Angelina, il tutto coronato da una vivace ed elegante presenza scenica. Altro elemento in carriera da soli tre anni da non perdere di vista.”

Andrea Merli - Impiccione Viaggiatore

“Dave Monaco (tenore di fine natura vocale ma di impetuosa eleganza) ha al suo arco le frecce di agilità e di sopracuti che vanno tutti a bersaglio.”

Gianni Gori, Rivista Musica

“Il resto del folto cast va dal buono all’onesto, con menzione particolare per la breve ma micidiale parte del pescatore Ruodi, che Dave Monaco realizza come meglio non si potrebbe.”

Elvio Giudici, il Giorno

“…e Dave Monaco, che nei panni Ruodi sale nella canzone del pescatore al registro iperacuto con grazia ed eleganza.”

Alessandro Mormile, Connessi all’Opera

“L'ha fatto con una compagnia in cui mutano solo Don Magnifico e la protagonista, passata nelle mani di Annalisa Stroppa ricomponendo così, con il Don Ramiro di Dave Monaco, un bell'accostamento di voci amorose – allora quelle di Rosina/Almaviva - che ci aveva deliziato, il dicembre scorso, nel Barbiere del Comunale di Treviso. Anche qui i due cantanti appaiono perfetti nel rendere due giovani sorpresi e meravigliati dal fulmineo innamoramento. Chi l'ha provato, sa cos'è un simile tuffo al cuore. […] Dave Monaco spicca sulla scena tanto per la fresca esuberanza giovanile, quanto nell'immediata comunicativa; e si conferma vieppiù un interessante tenore di stampo belcantista, dall'emissione tutta ben raccolta sul fiato, in grado di infondere nel suo Ramiro una linea di canto lucente e limpida, dinamica e musicalissima, cavandosela agevolmente nello scabroso cimento de «Si, ritrovarla io giuro».”

Gilberto Mion, Teatro.it

Ma a stupire per varietà di colori, d’accenti, di dinamiche, in un fraseggio articolato, vario, cangiante, sfumato, iridescente (può bastare?) è l’Osiride di Dave Monaco, dal timbro fresco, limpido, etereo e solare.

Pierfilippo Baraldi, GBOpera

Contact

AART MUSIC
General Management

Adalberto Ruggeri
ruggeri@aartmusic.it 

Alessandro Tumscitz
tumscitz@aartmusic.it
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PRESSROOM
Press & PR

Giulia Ambrosio
giulia@pressroom.cloud 

Miriam Quaranta
miriam@pressroom.cloud 
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ASSISTANT PLANNER
Artistic Logistics

Laura Giudice
laura@davemonaco.com